Beginners on a creative path
Most often, wire crafts for beginners are made from soft wire. With colored braid. Their small diameter and flexibility allow you to do a lot. And there is no need to paint such wire. The braid has a range of colors.
Different strands of wires, weaving in a certain sequence, can be alternated. You can also make combined crafts.
We suggest you read why wine is diluted with water when drinking
For example, make a turtle out of fabric and colored wire. The edges of the turtle's outline are edged with wire.
When asked: how to make a craft from wire, you need to take into account what is being done and what kind of wire is used. An important factor is the ability to weave wire.
Weaving practice and the desire to do a good job can make a good craft. Wire makes good branches of flowers and trees.
This is used by all lovers of creating crafts. This is one of the easiest skills for beginners.
FORMATOR » Making a frame for a sculpture
There are questions about the manufacture of frames when creating sculptural images. We will consider frames for large-sized sculptures later. And for small (miniature) sculptures, I have selected a video tutorial on how to create a miniature copy of Michelangelo’s famous sculpture David, from several videos.
In the first part, the manufacture of the frame is shown and it is not necessary to repeat all the steps exactly - experiment, you cannot do without a frame and an almost finished work may lose its shape.
Sculpting_David_1
In the remaining videos below, a step-by-step algorithm for making a sculptural miniature:
Sculpting_David_2Sculpting_David_3Sculpting_David_4Sculpting_David_5Sculpting_David_6Sculpting_David_7of 7 Final
The article “Sculpting the human figure” is devoted to the production of frames for larger sculptures and their sculpting itself.
How to make a wire sculpture with your own hands?
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Anyone can make a wire sculpture. Such products will be appropriate in the garden and on the street, in the summer and for the New Year. We will tell you how to make human and some animal figures with your own hands, and what to pay attention to when making them.
Read also: How to make a flower with your own hands
Butterfly
The Christmas tree and the flower were flat figures. The butterfly is considered a craft of a more complex level; in it you need to fill the void of contour details. The master class includes steps:
- Starting from the body of the butterfly, form the outline of the upper wings;
- By laying the wire along the body, they create the outline of the lower wings;
- The wings are strengthened by wrapping the body in a double fold;
- They move on to filling the voids inside the contours with beautiful curls;
- Pull the ends of the wire from above, cut off the excess, and twist the antennae.
The butterfly is ready. Using the same algorithm, you can create figures of animals, flowers, and people. The filled space inside the contour provides the product with a finished look.
How to make a man from plasticine and wire?
Sections to which the material belongs: FINE The purpose of the lesson is to learn how to sculpt a human figure using plastic material, taking into account proportions, conveying the volume of the body, pose, character. Lesson objectives:
Formation of moral and aesthetic responsiveness to the beautiful and the ugly in life and art. Forming an understanding of the social purpose of art as a means of reflecting knowledge of the surrounding world. Introduce the genre of fine art. Strengthening the skills of depicting a human head, observing proportions. Promote personal development, introduce students to spiritual and moral values. Development of artistic and technical skills in figure sculpting and visual thinking. Develop creative imagination, memory, ability to analyze proportional relationships, development of motor-motor coordination of the hand. – visual aids: presentation “Sculpting a human figure”, illustrations with photographs of sculptures of world culture. : albums, gouache, watercolor, colored pencils. the topic of the lesson is written on the central part (empty space for a future explanation of the material), on the right is a written explanation of the material, on the left are visual aids. Organizational part (greeting) 1 – 2 min. Explanation of the material (10 – 15 min). Practical part (20 min). The final part (showing common mistakes, showing the best works, homework). - Hello children. Today we will sculpt a human figure from plasticine. Modeling is one of the most ancient forms of art. Even in ancient times, people noticed that when wet, clay becomes soft and pliable. Then it is convenient to sculpt various objects from it. After this, people began to wet the clay, first covering it with wicker baskets, dishes, and then the first figurines of gods, which were primitive objects of worship. The first finds of sculptures were discovered in Paleolithic sites in France, in the territory of the former Soviet Union, in Austria, Japan and many other places on our planet. – What is sculpture? Sculpture is a type of fine art characterized by the sculpting or carving of a three-dimensional figure from plastic or solid material. Basically, the sculpture depicts a human figure in a single or group performance, as well as animal figures, mythical characters, images of landscapes and objects. There are several types of sculpture, based on relief features: 1) Round sculpture - this sculpture is characterized by the fact that it can be freely placed in space, this makes it possible to have a view of it from all sides. This includes all statues such as full-length, torso, bust, figurine (small-sized statue). 2) Relief – a type of sculpture where the image is located on a plane. There are two types of reliefs: bas-relief and high relief. Bas-relief is a type of relief in which the figure itself protrudes above the plane by less than half its thickness. High relief is a type of relief in which the image, unlike bas-relief, rises above the plane by more than half of its volume. Teacher: What materials can you make a sculpture from? – The use of materials is mainly related to the architectural culture of the area. The method of processing metal (bronze, copper, precious metals) is forging and smelting. The method of processing clay, plaster, stone, and wood is modeling and sculpting. A sculpture can fully convey the emotions and feelings invested by the sculptor. Sculpture flourished during the ancient Roman civilization. (See “Cecilia” The sculptor used naturalistic details, such as a crooked mouth, protruding ears, a wart on the cheek, in order to concretize the image, the vitality and integrity of which he perfectly felt. Wealth, a strong position among the inhabitants of Pompeii, and success apparently went to him , not easy: fear, failure, struggle left their mark on his face, carved with deep wrinkles). If you look at the history of sculpture in Russia, even before the reign of Peter I, you can clearly say that at this time, when the Orthodox Church had a powerful influence, this type of art had practically no opportunity to develop in any way. Peter I invited foreign masters to Russia, including sculptors (K.B. Rastrelli - a bronze statue of Empress Anna and a monument to Peter I), which influenced the further development of sculpture in Russia. The heyday of fine art in general is considered to be the reign of Nicholas I. The Emperor provided all kinds of patronage to both artists and sculptors. At this time, the Cathedral of Christ the Savior in Moscow and St. Isaac's Cathedral in St. Petersburg were built and decorated with sculptures. Why were sculptures of people made? – artists sculpted gods for worship, portraits of people whom he was interested in or to order; Thanks to portrait sculptures, we can learn more about our ancestors, their characters, spiritual qualities, see how the author himself treated these people - loved, respected or chuckled). – Look at some sculptures. – What did the artist notice in the person depicted? Before starting work, you should review with your students what types of art and genres exist, what composition is, proportions, and how to work with plasticine. Creative task: sculpting a figure in motion. Children choose topics: sports, recreation, ballet, dance, circus. Teacher's explanation, pedagogical drawing on the board: 1. Type of fine art - sculpture (painting, graphics, architecture, creative arts, design) 2. Genre - portrait (landscape, historical, everyday, battle) *Demonstration of visual material with examples of portrait sculpture. 3. Composition: sculpt taking into account the proportions of the figure (ratio of parts) *Demonstration of a drawing with the canon of Polykleitos. 4. Statics/dynamics (position of the figure in space) *Demonstration of photographs with world sculptures in motion. Let's start creating a three-dimensional sculpture by developing a sketch. The main thing is to create a dynamic, emotional image that you will be interested in working on: themes of sports, recreation and art. – First, let’s draw a human figure. When drawing a body or head, the student first outlines the shape of a ball and trapezoid, and then refines it according to nature. This method had a number of advantages over others. Following him, the students got used to drawing more consciously; they not only observed the object, its shape, but also analyzed it. We outline the distance from head to toe, draw an axial (middle) line vertically, it will help us in the future to change the position of the figure in space. We divide it in half - we find the pelvic part (sacrum). The lower distance in half is the knees. Draw the shape of the head - an oval (1/7 of the whole body). Trapezoid – body (shoulders wider than waist) and waist (trapezoid). We draw hands in the shape of rectangles. If a person is in motion, then you can change the position of the midline: the person bends over, leans on his elbows. Change the direction of the main bones of the legs (bend the knees, put the leg forward, etc.) Change the direction of the arms (bend them at the elbows, raise them up, etc.) The material for creating the figure can be beige or olive plasticine (it doesn’t matter). We bend soft aluminum wire using pliers to form the frame of the future sculpture. Take a piece of wire (70-80cm) and bend it in half. The resulting loop at the bend is the future head. At the other two ends of the wire we bend two loops for attaching to the board. From the same wire we form shoulders and hips, wrapping and fastening them in the right places with thin wire. We attach a piece of wire (30-35cm) to the shoulders - these are the arms. In order to convey dynamism to the figure, bend your legs at the knees and arms at the elbows, bend your torso and neck, based on your sketch. We turn the loops at the ends of the wire perpendicular to the figure so that it “stands” comfortably on the base board. Important: in order for the sculpture to be stable and not sway, it must be fixed on the board with at least two (or preferably three) well-fixed points. Now we form the main volumes of the sculpture. Look at the person’s profile, at the outline of the figure in the chest, pelvis, and knees. To reduce weight, you can put pieces of foam or cork, crumpled foil or paper twisted with thread or tape into the head and torso. We sculpt the head in detail: We outline the shape of the head - a circle and a semi-oval. Draw a vertical line down the middle of the face for symmetry. And horizontal in the middle - eye level. The distance between the eyes is an eye. Eyebrows above the eyes. We divide the distance from the eyes to the chin in half - we find the nose. The nose is in the shape of a triangle. We draw a straight line between the nose and chin – the lips. Lips: the upper part resembles the shape of a bird, the lower part is a semi-oval. Ears in the shape of a semi-oval are located at a distance from the line of the eyes to the level of the nose. Draw the hair the way you want - wavy, straight, long, short, etc. Neck – from the end of the ears. We sculpt hair, or a headdress, hands and shoes, and form clothing details. We make additional parts from cardboard or veneer: skis, violin, guitar, etc. We cover additional parts with plasticine, as well as the base, to hide the places where the sculpture is attached. As we work, we constantly check the sketch. We consider only the most successful and interesting works. Collect reproductions of paintings by artists. In the next lessons, show your “gallery” of sculptural figures. Nemensky B.M. Fine arts and artistic work 1-9 grades. general education program – M.: Education, 2011. Rakitin V.I. The art of seeing. – M.: Knowledge, 1972. Sokolnikova N.M. Fine arts: a textbook for teachers. 5-8 grades: At 4 o'clock. Part 4. A brief dictionary of artistic terms. – M.: Obninsk, 1998. https:///
Concrete composition
For modeling, you need a plastic concrete mixture that adheres well to the metal of the frame and to the already laid layers.
The main additives are slaked lime and clay. They turn building concrete into sculptural concrete, which does not spread, but retains the shape that we give it.
It is better to take kaolin clay. Fireclay clay or bentonite will give a grayish tint, which may be undesirable in decorative concrete.
As plasticizers that reduce the need for concrete in water, we use CMC glue and (or) PVA emulsion. They are also good because CMC increases the viscosity of concrete, and PVA increases adhesion (“stickiness”). You can also add special plasticizers for concrete.
We will also add polypropylene fiber to the concrete for the first layers. It will improve the adhesion of layers, reduce the risk of cracks to almost zero, and increase frost resistance.
Adding a gypsum mixture for plaster will speed up setting and make modeling easier.
Its disadvantage is that it reduces the resistance of concrete to atmospheric influences, so it must be used with caution, without exceeding the dosage
One of the composition options for sculptural concrete:
Item no. | Name | Quantity | Notes | |
In volume fractions | In kg per m³ of mixture | |||
1 | Cement PC M500 | 12 | 260 | For decorative concrete, cement PB500, quartz sand, marble or other decorative chips |
2 | Washed sand | 22 | 520 | |
3 | Crushed stone fraction 3-5 mm | 39 | 990 | |
4 | Water | 8 | 110 | |
5 | Slaked lime | 5 | 70 | |
6 | Clay | 5 | 120 | for decorative concrete kaolin |
7 | Polypropylene fiber 6-10 mm | 6 | 25 | For lower layers |
8 | Gypsum plaster (putty) mixture | 2 | 20 | Not for use with quick-setting cement |
9 | KMC | 0,5 | 3 | |
10 | PVA | 0,5 | 9 | |
11 | Color pigments | Until you get the desired shade | ||
Total: | 100 | 2127 |
Mix CMC and PVA in water in advance. Mix gypsum, fiber and cement in dry form. We add lime and clay along with sand and crushed stone.
The consistency should be something between soft butter and thick sour cream.
Mini wire mannequin
For decorative purposes, small wire figures are made in the form of a miniature doll. For a miniature copy, you should take thin wire with a cross-section of no more than 1 mm, since its parts are small. A large cross-section will interfere with the execution of the figure; the resulting product will be massive.
In fact, making a mini mannequin is no different from the usual one described above. Take a doll as a basis for work. If any bend does not work out, you can attach the wire to the doll’s body to repeat it according to the template.
A more detailed article on how to make a mini mannequin with your own hands is here.
Wrist bracelet
An original decoration for a girl consists of large braided wire - an aluminum or fluffy model. On the outside there is a large decorative metal-cut stone.
Wire weaving is done according to the following scheme:
Three strong metal strings (elastic) are used as the basis. One of them is bent in an arc, the remaining two are twisted into a ring at the ends (the shapes should not be large so as not to interfere with the girl when wearing the product).
The next step is to assemble the bracelet: two short pieces of wire are screwed to the main string with intermediate turns of large wire.
The characteristic arrangement of the three components of the bracelet: the middle of the central string remains free, since it is on it that a stone or other decoration is glued.
It is important to first take measurements of the wrist of the future owner of the bracelet in order to model the product according to size.
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How I started making money with my hobby
I am a shy person, self-critical regarding my creativity, so for a long time I was afraid to go out into public. But when by 2018 a lot of sculptures had accumulated, I decided to take part in the regional entrepreneur’s day. There I was noticed and invited to the Biennale of Contemporary Art. And then exhibitions followed one after another, and my sculptures became popular.
Most often, clients find me at biennials and exhibitions, on social networks or through recommendations from friends. Sometimes they ask to make something to order, but more often they purchase ready-made products, some of them several at a time. Wherever my wire figures went! Most of them are in private cottages in Moscow and the Moscow region; there is a sculpture in the Crocus Expo exhibition complex.
This deer decorates the landscape center in my native Novosibirsk. Visitors love to take pictures with him
There are many of them in our native Novosibirsk. I made a deer for the landscape - you can take a photo with it, touch it and even sit on it. My frilled lizard “lives” at the zoo.
There is even a customer from Miami: a box with a sculpture - one of the fairies - was sent to her through the port of Murmansk.
It was a discovery for me that a hobby can not only bring inner satisfaction, but also quite literally feed me! In recent years, the family budget has been replenished from two sources: my main job as a pulmonologist and orders for sculptures. This is how I live: between medicine and metal.
My metal fairies have scattered all over Russia: they are often ordered to decorate a site
Text: Sergey Ponomarev
Photo and video: from the personal archive of Evgenia Lesovskikh