The team created a graveyard of coats that didn't look right, but they kept trying new styling methods and new fabrics. Finally, such a result was obtained that everyone unanimously said: “It works. Now just don't touch him."
The costume designer for this film was Alexandra Byrne, an Oscar winner for period costumes for the film Elizabeth: The Golden Age, who subsequently worked for Marvel in films such as The Avengers and Avengers: Age of Ultron. Also notable in her career was the creation of antique vestments for 300: Rise of an Empire.
Alexandra says that before starting work she made large collages with images of characters throughout the history of their existence. She was faced with the task of creating a reality inspired by the famous versions of the heroes, which remains interesting enough for a modern viewer. The result of her rethinking was, as she herself calls it, “ancient modernism.” Obviously, Alexandra chose both of these directions as manifestations of the “golden time” reigning in Asgard.
The antiquity is evident in the soft folds of the dresses and anatomical elements on the armor, such as the stylized abs on Lady Sif's armor. Modernism is visible in the hairstyles of ladies and the most interesting camisoles of men.
Moreover, there was also a place for Scandinavian motifs, although expressed in a very veiled manner. For example, one of the bright elements of the Scandinavian folk costume is stones, gold and bright shiny elements. We see these motifs, only slightly refined, in Frigga’s costume. Pay attention to the long earrings - these seem to be the favorite jewelry of Odin's wife.
But let's return to the main character of the story, the God of Thunder. His costume embodies and combines many comic book variations.
Thor even appears in the frame with his iconic winged helmet. Unfortunately, as with Loki's horned helmet, the actors only flash them to the delight of fans. The reason is that many directors and cameramen do not like hats in the frame - they distract attention from the facial expressions and face of the main character.
The canonical “scales” of the sleeves not only decorate the costume, but also have an important decorative and applied function, beautifully crumbling in the frame at the moment of the overthrow of the unlucky god to Earth.
The history of Thor's cloak is very interesting. Designers were constantly told: "We'll add it in post-production, you won't get it to work properly." But their cape worked because they made it before they rendered it. The cloak had to look both absolutely believable and at the same time sublimely magical, emphasizing movements both during flight and during a fight. As Alexandra complains with a laugh: “It’s easy to make a cloak do this in a drawing, but to make a piece of fabric do this is much more difficult.” Her team created a graveyard of capes that didn't work as well as they should, but they kept trying new styling methods and new fabrics. Finally, such a result was obtained that everyone unanimously said: “It works. Now just don't touch him."
Byrne also believes that it is very important to know how the hero moves and fights, what weapons and abilities he has - all this, together with the costume, should be combined into a single aesthetic.
Consider the image of the All-Father. We first see him in the tenth century AD, he is young and swift, the shape of his helmet is a little reminiscent of his weapon - a spear.
The next time we see a happy Odin with his sons. He wears only the soft leather of a tunic and no inclusions of metal - the god is calm and does not expect war. I would like to draw attention to the pattern of his suit: personally, these rings remind me of the planes of connection of worlds, as an eternal reminder of his power and, at the same time, responsibility.
Years pass. Odin's costume takes on the gold color so beloved by the Vikings. Look how well the eye patch is incorporated - it seems to be an inseparable part of the helmet, almost without attracting attention to itself. Pay attention to how the cloak emphasizes and creates the feeling of powerful shoulders, and the sharp angle on the chest - the power of the torso muscles. In addition, it is interesting how the cloaks of father and son echo, fastened with similar folds and having the same scarlet color.
Let's move on to the clothes of other Asgardians. Thor's friends, like other aces, are characterized by a complex interweaving of leather and metal, creating at the same time the feeling of armor and divine attire. Each of the heroes is given a uniqueness, his typical color, his armor expresses his personality. In Sif's attire, for example, there are many impetuous, sharp features, as well as in the girl's character. The texture of the chest panel is reminiscent of chain mail, but Fandral's costume shows off his dapper and sophistication.
Heimdall has a completely different aesthetic. In legends, he is called “golden-horned,” which, combined with his image from the comics and his habitat, gave such an interesting image. In general, the most common adjective in relation to him is “golden,” so it is not surprising that his entire image is filled with this metal. The Guardian of Bifrost literally merges with him in one harmony.
Let's move on to the image of the antagonist. Loki's costume, like his brother's, is the quintessence of all canonical images of the character. The metal parts of the suit curve smoothly and flow into the green and brown fabric. The details on the body are very interesting; they look like wings that go into skillfully laid folds on the sides. The cloak is laid out differently than Thor’s, performing two visual functions at once - it stretches and slims the actor, and also contrasts him with his brother.
It’s also interesting how easily the aces’ costumes can be transformed. Now all the armor elements are removed from Loki’s suit and we get an elegant suit. Perhaps, in this way, the Asgradians differentiate for themselves the time of war and the time of rest, even at the everyday level, by removing their armor. The same thing works with Sif's costume - all the iron is removed and we get a soft tunic for relaxation with only a slight hint of the fighting spirit of the goddess.
The costume of the god of cunning in Midgard is equally impeccable. The green coat follows the contours and especially the collar of the Asgardian camisole, and the scarf creates the illusion of closedness, echoing the original high collar. It is also worth noting the stunningly stylish combination of an oblique thin stripe on a tie and a straight thin stripe on a shirt.
Well, let's finish our review of Asgardian fashion with the brilliant Frigga.
She sits by her husband’s bed in a beautiful, calm silver dress. Pay attention to the hairstyle - typical modern. Her earrings are filled with deep symbolism - look at these large transparent stones - after all, they are nothing more than a symbol of the tears shed by the goddess over her husband’s bed.
She celebrates the return of her son with a completely different dress - again bright, festive stones, again a reference to the Scandinavians. Don’t ignore the dress of the beautiful Sif - this is where we see antique draperies frozen in beautiful metal. The dress itself seems to be made of thin gold belts, creating an interesting structure reminiscent of armor.
It's time to move on to the images of the inhabitants of Midgard.
The image of Jane Foster tells us that this is a serious girl who is not used to being distracted by all sorts of nonsense. All her clothes are as comfortable and convenient as possible. Space exploration is much more important to her than heels and skirts.
The clothes of Thor himself in Midgard seem uninteresting to me - these are simple things supposedly from someone else’s shoulder, which have no individuality and cannot tell anything special about the hero.
But even here you can find something interesting. I really like how Thor and Jane's clothes start to match towards the middle of the film. For example, in one scene they are wearing almost identical checkered flannel shirts. Perhaps this shows the similarity of their thoughts and dreams, perhaps the unity of tastes, and perhaps their nascent love.
Another interesting idea in the couple’s clothing is visible at the end of the film. So when Thor is waiting for the Rainbow Bridge to open, Jane is wearing a T-shirt with a rainbow. A charming detail.
At this point, perhaps, the analysis of the film’s costumes can be completed. The Asgardian part turned out to be stunningly beautiful and fantasy, but the earthly part didn’t disappoint either.
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In preparation for the New Year holidays, the task of every parent is to create an original carnival costume for their child. Modern children want what the Scandinavian thunder god Thor is like. While sewing the costume itself is easy, Thor’s helmet can be challenging. You need to do it yourself.
Darth Vader
This is one of the central characters of the saga - the father of Luke Skywalker, who went over to the side of darkness and took the name Darth Vader.
The distinctive features of his costume are black Jedi armor, a terrifying mask, a black cloak and, of course, a blue lightsaber - this is one of the hallmarks of the Star Wars saga. Black trousers and a long-sleeve shirt, as well as black motorcycle gloves and boots will help complete the suit. Sew the cloak from a rectangular piece of black satin fabric. Using colored tape or fabric paints, paint a control panel using silver, red and blue rectangles on the chest.
However, the most difficult thing about making such a Star Wars costume with your own hands is building the helmet. You can buy a ready-made one, or you can spend a little time and make it from papier-mâché. The base can be an inflated ball placed in a bucket for stability. The balloon must be inflated the size of your head so that the helmet fits well on it.
Using thin paper and glue, make a round base at the top of the head, and model the wings of the helmet, expanding downwards, using cardboard. Dry the finished helmet and paint it with black spray paint.
Dance is the soul of the people
The Lezginka has become the calling card of the Caucasus. And only the inhabitants of this harsh and beautiful region are able to convey the pressure, strength and beauty of this dance. The men performing it truly work miracles and are able to delight any audience.
The men performing this dance captivate with their impetuosity, courage and, at the same time, grace. The strict attire and unique headdress of a horseman performing a dance can tell about his courage, self-confidence, and readiness to defend his honor and dignity. You can buy a Caucasian Lezginka costume on Ali Askerov’s website.
Folk traditions are alive, they continue in modern trends, skillfully combining traditional motifs and modern fashion trends. The Caucasian national costume is stylish and beautiful.
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Kylo Ren
This Jedi, the son of General Han Solo and Princess Leia, is one of the negative characters in the saga. And he has his own special suit and helmet, like other Jedi in the Star Wars saga. Kylo Ren's costume consists of a black jumpsuit and a hooded robe, belted with a wide belt. They are not difficult to make, since you can take a black long sleeve and tights as a basis, and sew a mantle from any dense black material. Don’t forget about the hood—the character always hides his head under it. For the belt, use leather-like fabric, sew a rectangle and fasten it with Velcro to make the suit easier to put on.
The mask will be more difficult; it is a black helmet, similar to the one worn by the Darth Vader character, but the difference is in the silver stripes around the eyes and mouth. Therefore, as a basis, you can take the shape and technique of creating Darth Vader’s headdress from papier-mâché, and create a similarity with the character of Kylo Ren using silver paint. You need to draw similar stripes on the finished and painted black helmet.
Traditions of wearing a hat
The hat, which a man should never part with, enjoys no less honor and respect.
She was a confirmation of his honor and dignity. It was not customary to show up to a wedding feast without a hat, so as not to offend the hosts. It was believed that it should be worn while the Caucasian’s head was on his shoulders, so they treated it very carefully and with respect. It has not been forgotten even today: made from high-quality astrakhan fur, it is an attribute of the highest command staff in the army, starting with the colonel. Local residents present it as a gift to the most honored guests of the Caucasus.
Luke Skywalker
Luke Skywalker's outfit is quite simple to create, which is why it is implemented more often than others. Plus, this Star Wars costume is just as good for kids as it is for adults. First, you will need a white or beige long shirt, cut like a kimono. You can sew it using any pattern for a kimono or even a robe, or take a ready-made suit for martial arts. Secondly, you will need a wide brown belt. It can be sewn from a piece of faux leather, secured with Velcro at the back.
Under the shirt you can wear any white trousers, which need to be tucked into long white socks or leg warmers. On top of the suit, cut a long cloak with a hood from a piece of brown material.
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Hello! Very original costumes! My favorite was the Blue Spruce. I thank all the authors who share their sewn products on the pages of this project. Larisa, I came to visit you to congratulate: May the New Year bestow you and your readers and authors with both happiness and success, May joy resound in the house with cheerful, ringing laughter! Happy New Year 2022.
Thank you Lenochka! Happy New Year to you too! They began to look at each other very rarely, I will correct myself
